webbiedave
webbiedave
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With regard to realism, a wind controller will allow you to better shape the notes through breath but keep in mind that you will not have real-time access to all the controllers that contribute much to the realistic sound of these virtual instrument…
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Mr. Flugal sounds great! He should cheer up!
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(whispers from the corner) "solo strings" "You have the experience and the rep for them already" "You've blown us away with the wind instruments, now you can bow us away with the strings" "The world awaits" "... but we still want the trom…
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Anyone know?
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Peter, your response has now triggered a BC question from me: If, for example, the midi box sends a note-on message but the dynamics (let's say cc11) are still at 0, then 1 second later the midi box starts sending cc11 every 10 msecs starting a…
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mhecker wrote: how did you set up the bc-3? As far as setup in the samplemodeling products go, just ensure that the Dynamics CC# in the SM software matches the one your BC box is outputting. mhecker wrote: converning gain and offset You …
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There are so many cc's for changing the sound of Mr. Sax T that you'd need to be an octopus to use them all! The default sound using just breath is great and many players will be satisfied with just that. However, don't look at the plentiful amount …
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I don't have an MDT but I achieve cc to keyswitch remapping through the use of custom intermediary software. Perhaps there is free software available online that does the same thing? Just an idea.
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The vibrato is invoked with cc1. When you want the vibrato to start, set cc1 to a non-zero value. It's entirely up to you (and your controller) as to how this is achieved. "Vel. to dynamics" can be used by keyboard players to affect dynamics by…
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The vibrato is controlled with cc19 (Vibrato Rate) and cc1 (Vibrato Intensity).
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I was asking about non-portamento'd. The larger intervals, when slurred, can sound quite artificial. I was wondering if you've noticed an improvement in that area.
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Firebird, thanks. How is the vibrato easier to control? What was the issue with the previous version that made it more difficult? Also, did you notice any improvements in the non-portamento'd slurs between notes of intervals greater than a 4th?
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Firebird, what are the differences with the new update?
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Well, I meant to dig up some exact part numbers for you but got sidetracked and then I just plumb forgot. If you're still interested, here are a couple: MAX187BCPA+-ND (12BIT 5V 75KSPS 8-DIP) MAX1147BEUP+-ND (14BIT 116KSPS 20-TSSOP) Both…
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Udo wrote: Re RPNs, did you actually try to change the pitch bend range by sending the CC sequence I mentioned in the RPN thread? Yes. They have no effect. This also holds true for many, many sample libraries as they decide how to respond to pitc…
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I'm going to chime in here if that's alright. Udo wrote: The large range is required to ensure string bends, etc, are translated accurately into proportionate pitchbend data. The range on the guitar-midi converter and instrument should be the…
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Phil999 wrote: probably you're sending Controller 64 or sustain pedal messages. You're right on, Phil. I forgot my software was set to send sustain on slur (for a different sample library). Thanks!
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I'm also getting a growl sound when I play with the wind controller but not with the keyboard. A "P. Growl" message appears on the Sax GUI when I play with the wind controller. What causes the "P. Growl" message and sound? Anyone have experience wit…
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Phil999 wrote: Can you tell us what kind of AD-converters you use? Maxim but I have no particular allegiance to them whatsoever. Just turns out I've used their ADC ICs on numerous occasions.
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Phil999 wrote: you work with CV and custom AD-converters? Correct. Phil999 wrote: do valve controllers like the Steiner interpret the amount of valve "angle", or is it note on/off like with touch sensor wind controllers? on/off. Ph…
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Giorgio Tommasini wrote: Even if not a circus acrobat, you are certainly a professional musician, and a smart guy. Thank you, Doctor. This is a high compliment indeed when coming from you! Phil999 wrote: I would like to know more about your…
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valouz wrote: With a wind controller some of the articulations are impossible to play without adding a foot controller. For example the half-valve sound portamento (am i right guys ?) This is actually incorrect. My wind controller has three conti…
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Phil999 wrote: Can you describe a bit what a 1/2-valve sound exactly is in a trumpet? The 1/2-valve sound is achieved by depressing the trumpet's valves only partially and yields a strange muted, stifled sound. With the valves in this position, t…
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The Trumpet's software vibrato is quite nice. It's well suited for medium and long notes. The key to achieving realism is to subtly vary the intensity and rate of the vibrato throughout the note's duration (much as a real trumpet player would). …
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Ensure you apply the update (v2.01) and download the new manuals from the trumpet's Downloads page: http://www.samplemodeling.com/en/downloads_trumpet.php With the update applied you can, in addition to the drop down, load mutes by modifyi…
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I am experiencing similar behavior. After playing The Trumpet for 5 or 10 minutes I experience a lot of popping and clicking (every few notes). I then reload kontakt and it will work fine for 5 or 10 minutes before the popping and clicking retu…